Javi is cautious and requests they use a condom, while Ocho, on PrEP, is used to unprotected penetration with Grindr hookups. Instinctually animalistic, the impromptu sexual rendezvous acts as Castro’s first indicator of the opposite wavelengths these two men are on. The garment itself is later unmasked as a keepsake charged with relevance beyond being trite rock-group merchandise. ![]() It’s the first word of dialogue spoken following a day of mute courting that culminates in intense intercourse. ![]() “KISS!” yells Ocho (Juan Barberini), an Argentine poet visiting Barcelona in 2019, from a balcony in reference to a T-shirt that Javi (Ramón Pujol), an ex-local now residing in Berlin who is in town to see family, wears as he walks by Ocho’s Airbnb-rented apartment. ![]() Evocative purple skies bear witness to a tantalizing and determining fling in Lucio Castro’s structurally audacious debut “End of the Century,” the gay equivalent of Richard Linklater’s “Before” trilogy, distilled into a single film that’s constructed of buoyant encounters separated by two decades, conversational walks through a European city, and the illusion of a married-with-children future.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |